In a project called Entropic String, I generate blind contour drawings in decaying / evolving series or layers. I start by making one blind contour of a natural subject, then a second blind contour of that first blind contour, then a third blind contour of the second one, and so on. The errors in copying result in images that change incrementally, accidentally, and the series goes in unexpected directions.

Big Bluestem (2023), watercolor and ink on Claybord and watercolor paper, ink on Tengucho paper, thread.
Big Bluestem, detail.
Big Bluestem, detail.

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Cicada Wings Emerge & Decay (2017), ink on tea-stained watercolor paper, wings of periodical cicada (Magicicada tredecim), stamped numbers.

Cicada Wings Emerge & Decay, detail.

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I want to marry Fibonacci numbers (2019), linen, cotton thread, collaged book illustration, ink on tea-stained watercolor paper, typewriter on cotton ribbon, tulle.

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With Seed (2019), Ink on tea-stained watercolor paper, silk organza, thread, coffee filter, mica, book illustration.
With Seed, detail

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Above: Studies for Entropic String, ink on watercolor paper, pressed plant material, other materials

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Sigmoria (2021), ink on tea-stained watercolor paper, oil on canvas, cheesecloth, cotton string.

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Ground Ivy (2017), ink on tea-stained watercolor paper, red clay, mica, cotton thread.

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Entropic String is a continuation of a theme I started in Contrivances (2010) — see Older Work. I’m fascinated by emergence and complex systems — how small events lead to big changes. Emergence is everywhere: swarms, flocks, hives, cities, traffic, epidemics, evolution, the brain, the internet, the climate… I’m using blind contour series to play with ideas about emergent phenomena.

Contrivances (2010), detail